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Showing posts with label X FACTOR. Show all posts
Showing posts with label X FACTOR. Show all posts

Monday, 11 October 2010

When an "illegal immigrant" has the X Factor

I have confessed it before and I will confess again – I watch the X Factor, and I like some of the singers that have appeared on the programme. Along with quite a few other viewers (apparently 250, 000 have signed up to a relevant facebook site) I was taken, in the latest competition, by the brief performances of Gamu Nenghu, and was surprised when Cheryl Cole told her “...for now, it’s a no”, and she was off the show. Whatever criteria were used it did seem odd that after three perfect vocals Gamu was eliminated in favour of others whose attempts seemed less polished. Maybe Gamu was considered not to have “pop star potential”, but there also seemed to be something odd in the way Cheryl C (or is it back to T now?) delivered the bad news. Then, as most of you will undoubtedly have heard, it emerged that Gamu and her family faced the very real possibility of removal from the U.K. to Zimbabwe, the country of their birth. There has been much speculation about the reasons for the threat of removal; this BBC report, quoting the family’s solicitor, seems to be accurate. 
The tabloid press must have had a pretty hard time with this, wanting to boost circulation by riding the wave of popular support for Gamu whilst also not wanting to stem their relentless tide of anti-immigrant propaganda. Some red-top articles have been sympathetic to the family, only to be followed by a tirade of “send-them-home” abuse in the readers’ comments section. I wish all the X Factor contestants well, but I would have liked Gamu to continue to hear more of her singing. But this is of course a triviality compared to the threat, to her and her family, of removal to Zimbabwe. So, just to do my bit, I will confront some of the arguments I have encountered on this matter: 

“They are illegal immigrants and should be sent back.” 

The family have been staying in the U.K. legally, on the mother’s visa. Her application for renewal of the visa was recently refused, but, as the family’s solicitor has argued, this is likely to be down to an administrative error. When the renewal was refused the family were given time to leave the U.K. voluntarily; to date this deadline has not been reached and so the family are still here legally. It also seems likely that there will be either an appeal or a judicial review of the case, and the family will then be allowed to remain, at least until a further determination is made.
It has also been suggested that the removal of Gamu, who has spent most of her childhood in the United Kingdom, would itself be illegal as a breach of both the European Convention on Human Rights and the Human Rights Act. 

“Gamu should not get special treatment.” 

She deserves fair and humane treatment. Many immigrants are not treated fairly and humanely, as this excellent article shows, so this becomes an argument for improving the treatment of immigrants generally, not for removing Gamu and her family. The fact that many immigrants are treated unjustly is no argument for treating this particular family unjustly. The publicity and campaigning for Gamu may benefit immigrants generally by highlighting the injustices of “border control” and the immigration system. 

“Gamu’s mother is a benefit cheat.” 

This is not the view of the family’s lawyer, who said “...Mrs Ngazana [Gamu’s mother] was advised by the Inland Revenue that she was entitled to claim Child Tax Credit and Working Tax Credit and that it was aware of her immigration status.” 

There are, of course, many more general arguments relating to the immigration debate, covered by hundreds of thousands of web. A recent analysis for The Financial Times reached some conclusions that might come as a surprise to many: 

- The notion that natives inevitably lose out when immigrants take jobs was dismissed as “misguided”. 

- “Looking at the UK workforce as a whole, the rapid influx of migrants over the past decade has in fact had little impact on wages” (though where it has had an impact, the poor have mostly been the ones to lose out. Then again, “It is worth pointing out that many of those at the bottom end were themselves originally migrants). 

- “Despite lurid headlines about benefit scroungers, there is little evidence to support fears that migrants take more money out of the economy than they put in overall” 

- “Research by Christian Dustmann at UCL, a leading authority in the field, shows migrants from eastern Europe are putting far more into the economy than they take out” 

- Probability of natives claiming benefits: 39.7%.  Probability of immigrants from east European countries that joined the EU in 2004 claiming benefits: 16.4%. 

So, in conclusion, Gamu and her family should stay...and so should many others who have been branded as “illegal immigrants.

Tuesday, 5 October 2010

MATT CARDLE / SEVEN SUMMERS: Way To Be

I like Seven Summers a lot. I fear that X Factor may help Matt Cardle but spell the end of this band (assuming they still exist).

Monday, 10 May 2010

The X Factor

Socialism...it won't work...people are naturally greedy and competitive. If I had £1 for every time I heard that, I would be a rich capitalist bastard. The thing is, competition is forced upon us at every turn. TV seems to be turning everything into a competition at the moment. Think of singing, dancing, skating, cooking, creating a work of art, living in a house for four weeks without annoying too many people...and you'll soon be thinking of a TV game show.
Which leads me to The X Factor. Everything about it says I should hate it and avoid it like I would avoid Louis Walsh in a wine bar. But I am drawn to it. It is strangely compelling, as Capt. James T. Kirk might say. I am drawn to it because it sometimes turns up very real raw talent, in particular I am thinking of...don't throw things at me now...Diana Vickers (more about her later). Of course it's all too possible that X Factor success will lead to being devoured by a giant music corporation that then churns out another teeth-whitened auto-tuned bubblegum popster. But I am STILL entertained by Alexandra Burke, for example, and I can't help it. I will listen to her album again today. And I think Subo's (not X Factor, I know, but the same sort of thing) version of Wild Horses is a pretty good cover of a much-covered song. I agree that XF seems to value only a very narrow spectrum of musical ability, but it is as if the individuality shines through despite production line treatment.
So maybe the competition does produce talent, or at least bring it to our attention. Of course there's loads of brilliant stuff that would fly straight over Simon Cowell's helicopter landing pad haircut, and I still cringe when I see or hear Jedward, or I peep at those hide-my-face-behind-the-cushion qualifying rounds. It was Ricky Gervais, I think, that described them as the bewildered being paraded before multi-millionaires for our entertainment. But I remain an X Factor addict, and there is no treatment known to humanity.

Sunday, 11 April 2010

GIG REVIEW: Diana Vickers, The Cooler, Bristol, 20/03/10.

I wasn’t totally sure what to expect from this gig. I loved Diana on the X Factor live shows, but I was not sure about some of her song choices. Of course the majority of the songs weren’t her choice at all, but With Or Without You and White Flag were excellent, whereas Smile just did not suit her. When she sang Damien Rice’s The Blower’s Daughter at her audition all the judges instantly recognised her potential, but she was later, at times, pushed away from the style of music she would be more comfortable performing. On the X Factor tour Diana gave outstanding performances despite the unnecessary showy props – the bed, the telephone, the wind machine etc. She turned out an excellent performance in Little Voice, but in terms of singing of course Diana had to perform impersonations (apart from Sunlight).
My hopes were raised when I saw and heard Diana at some of her post-tour gigs, when she sang great covers like Snow Patrol’s Run and an indie-sounding version of Beyonce’s Halo. Even better was the ‘leaked’ Jumping Into Rivers – catchy and unique – with a definite ‘Diana’ sound. Then...Once. I wasn’t hugely keen at first but it grew on me. Next the tracks from the album sampler were leaked. A few tracks sounded exceptional but Remake Me and You worried me a bit because it sounded to electronic and over-produced, but I liked the song. I particularly liked the Boy Who Murdered Love, and the title of the album...Songs From The Tainted Cherry Tree...brilliant! So much better than just calling it ‘Diana’ or whatever.
So as I said I wasn’t sure what to expect on the first official gig of Diana’s pre-album tour. My doubts disappeared as soon as Diana and her band hit the stage and started to bash out The Boy Who Murdered Love. This was the REAL Diana at last, singing an edgy and original song, backed simply by guitar, keyboards, drums and bass. It rocked! The fact that the club was pretty tiny really, so the audience (myself included) had to play sardines at the front of the stage, just inches from Diana and her band...this all added to the atmosphere. ALL the songs now sounded like they should; those that stood out where The Boy..., My Hip (Diana on the trumpet!), Once, an intense version of Just Say Yes (written originally for Diana by Snow Patrol's Gazza B), the slow ballad Numb...agh...they ALL stood out.
Diana’s confidence on stage has grown immensely. She looked stunning, wearing a bright red dress with diamondy bits on it (sorry, I am not Gok Wan). She OWNED the stage and showed a real appreciation towards the audience. “You’re amazing!” shouted one fan...”YOU’RE amazing” Diana replied in an instant. After the gig Diana stopped outside the club, as friendly as usual, signing autographs and posing for pics before being whisked away with her band in the tour bus. This was a great gig. Don’t take my word for it, there are already videos appearing on YouTube. But, importantly, see Diana Vickers and her band live, now, in a small venue, while you still can...there’s tickets out there. I promise you that you will not regret it. I do believe that many X Factor sceptics, those who think this is all too commercial and ‘poppy’, or say they just don’t like Diana Vickers’ voice will be won over if they get to a gig soon.

Set List:
  1. The Boy Who Murdered Love
  2. Remake Me and You
  3. N.U.M.B
  4. Put It Back Together Again
  5. Four Leaf Clover
  6. Jumping Into Rivers
  7. Just Say Yes
  8. My Hip
  9. Once
  10. Notice




Thanks to Kasera for the youTube upload.
Photograph by NickOLarse.